- #Kamen rider movies that are good driver
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- #Kamen rider movies that are good tv
With everything from an episode with manga-style visuals, rider designs that recall previous series while establishing their own identity, and more exhilarating stunts than a half-decade of Hollywood films. Instead, there’s a surplus of creativity in Zero-One. While the integration of CG and live action elements can be visually dissonant, the tempo rarely allows viewers to dwell on small details. Writers Yuya Takahashi, Masaya Kakehi, Minato Takano (as well as two episodes penned by Riku Sanjo) keep the pacing persistently lively, dexterously balancing exposition and action.
But fortunately, they are almost all fleeting, with untiringly brisk pacing thwarting vexation. Yes, Zero-One has its share of pure mawkish moments, some of which are rooted in the recycling of shots. That’s not the only affirmation the series offers, with a recurring refrain about not giving up on your dreams.
With the proper guidance, Zero-One infers, we are all capable of achieving our potential. He’s joined by Is, a secretary-type Humagear, who not only helps mentor young Aruto, but also substantiates the intellectual and emotional potential of androids.
#Kamen rider movies that are good driver
He’s more interested in becoming a comedian rather than CEO, valuing cheerfulness after several childhood traumas.īut when magias attack a theme park, he’s compelled to take action, donning the Zero-One Driver and working with a government taskforce named A.I.M.S. After inheriting leadership of Hiden Intelligence after his grandfather’s death, protagonist is Aruto Hiden is identifiable. But its also possible to overlook all the subtle satirical elements and bask in the action-driven melodrama.Īnother successful quality is rooted in the show’s characterization. On one level, there’s a comedic skewering of things like corporate bureaucracy. Skillfully, the series works in two ways. The motivations of villains receive justification, making for a wonderfully pulpy plotline. But it’s the moral malleability that makes Zero-One so gratifying. Expectedly, there’s the typical plot twists and revelations across the four story arcs. With machine-like abilities that outshine the abilities of humans, they quickly become commonplace across multiple industries.īut a shadowy organization called “” has other plans, and hack into the Humagear systems, turning them into violent, dangerous monsters referred to as Magias. Recalling the storyline from several prominent science fiction works, the series depicts Hiden Intelligence, the global leader in AI research building androids known as Humagears. Undoubtedly, the research paid off, with Zero-One eschewing the typical condemning stance on emergent technology. Whether you are a lifelong tokusatsu aficionado or merely intrigued by international television, Zero-One is poised to please.īefore the series began filming in June 2019, producer Takahito Omori visiting several technical institutes and consulted with professors and experts to learn more about the nuances of artificial intelligence. Largely, the publisher’s 8 disk release is a rousing success. Complications emerging from COVID-19 pandemic forced the 46-episode series to reuse previously shot footage into a succession of five flashback installments.īut save for the loss of momentum caused by this constraint, Zero-One is a worthwhile series and a fitting commemoration of the start of the Reiwa period.
#Kamen rider movies that are good tv
Shout Factory’s Blu-ray release of Kamen Rider Zero-One reveals the collaboration of Toei Company and TV Asahi boasting almost all of those attributes. Often delivering a rapid-fire mix of masterful action, melodramatic intrigue, slapstick humor, and even a bit of poignancy, episodes often feel like a thrill ride. And that’s a shame, since the series’ 51-year legacy demonstrates just how entertaining tokusatsu (live action, special effect-driven programs) can be.īeyond retina-searing visuals, skillful cinematography and editing, as well as creative costuming, the genre often showcases impressive writing. Save for the 2005 DVD release from Hawaii-based Generation Kikaida, Kamen Rider hasn’t enjoyed a stateside physical media presence.
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